![]() ![]() ![]() Van Hulle highlights the beautifully crafted editions published by fine arts presses and Joyce's encouragement of his daughter's creative talents, even as his own creative process was slowing down in the 1930s. ![]() In this publication history, Dirk Van Hulle examines the interaction between the private composition process and the public life of Joyce's 'Work in Progress', from the creation of the separate sections through their publication in periodicals and as separately published sections. And while they are undeniably integrated very skillfully, they also function separately. Several of these sections, which James Joyce confidently claimed would "fuse of themselves", are still recognizable in the text of Finnegans Wake. It grew out of a set of short vignettes, sections and fragments. The text of Finnegans Wake is not as monolithic as it might seem. Introduction: Joyce and the Enacted Mind Page: 1ħ The Mime of Mick, Nick and the Maggies Page: 188Ĭonclusion: In the Wake of ‘Work in Progress’ Page: 203Īppendix 1: Survey of Pre-Book Publications Page: 210Īppendix 2: Anna Livia Plurabelle and Haveth Childers Everywhere: Variants between the first editions and the ‛1-shilling’ editions by Faber and Faber Page: 216Īppendix 3: Variants between the Pre-Book Publications and the Text of Finnegans Wake (London: Faber and Faber New York: Viking, 1939) Page: 220 ![]()
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